[Once again I'm going to attempt to do a horror(ish) movie review a day for the entire month of October. Might throw in the odd horror related book, comic, or music review as well. I've done this the last few years here and on The Cleveland Movie Blog. Most of the time I succeeded. Other times I didn't. Last year I completely failed and didn't do it at all. I'm optimistic about this year.]
The distinctive Italian horror/murder mystery hybrid known as the Giallo film has always been more about style than logical storytelling. Director Maximiliano Contenti and his screenwriting partner Manuel Facal definitely get that part right. Their film, like the ones that inspired it, is a glossy, brightly colored bauble in which barely defined characters get offed in gleefully gory set pieces by a black-gloved killer with half-baked motivations.
And let's not forget the eye violence that Italian horror films seem to revel in. Man is there some nasty eye violence in this one.